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How I Learned to Bellydance directed by Mark J. Dibble
September 29-October 1, 2000 April 7, 2001 (revival at the
Pennsylvania Association
Bellydance is the story of a husband and wife and a whole lot of miscommunication. The audience meets the couple as they are about to divorce. What follows is a backwards glance at what brought them to that point. Recognized by the Theatre Association of New York State with Merit Awards for Sound Design and Lighting The Setting | The Cast | The Crew | From the Director | Special Thanks | Return to Main Page |
Scene
One September
Peter & Mara’s house
Scene Two Rewind to mid-March
Coffeehouse
Scene Three Earlier that day
Peter & Mara’s house
Scene Four Rewind to February
An art gallery
Scene Five Rewind to early
November
Mara & Peter’s home
Scene Six Rewind to October
A department store
Scene Seven Rewind to September
Coffeehouse
Scene Eight Rewind two days
Mara & Peter’s house
Scene
Nine Rewind to August
Nina’s apartment
Scene Ten Rewind one day
Peter & Mara’s house
Scene Eleven Rewind to July
Peter & Mara’s house
Scene Twelve Earlier that month
Nina’s apartment
Scene Thirteen Rewind to mid-May
On stage at the theatre
Scene Fourteen Rewind to early
May
Peter & Mara’s house
Scene Fifteen Rewind to April
Peter & Mara’s home
Scene Sixteen Rewind to March
Peter & Mara’s home
Scene Seventeen Rewind a week
The Lesson
(In the Photos: Darly Johnson with Tammy Crawford [top] and Crissy Winegard [bottom] in the revival of Bellydance.)
| From
the Director
Although I would not call this production a "theatrical event," I would suggest that this show will be a first for many of us. Chris and I have been working on this show for well over a year. He’d been working on a show about a Civil War hero when, he told me, he had to take a break to write another show that "just came out of me." I was flattered that he asked me to read this new piece, but I was not prepared for what he gave me. He initially described a show about a married couple, the other woman and the divorce that ensued. My initial response was a wary and lukewarm "Um, okay." The notion, I admit, struck me as a little trite. I had no desire to do a show about a subject that is so well-explored in print, movies, TV and everyday life. How do you say anything fresh about it? Nonetheless, I began to read the script to see what "just came out" of him. The script blew me away. It tells the story chronologically backwards. How cool, how different…how nuts? I was so intrigued at how this would work and how it would come across to the audience that I accepted the show immediately. I wanted to be involved from the beginning of the script-development process. What you are about to witness is a story of two sets of lives: a husband, a wife, and a bellydancing instructor. It’s a tale of love, art, and dysfunctional communication. You’ll come in at the end of the story, the final scene. From there, you’ll rewind back in time. It’s not a tale of "What happens" but "How it happens." Listen closely and join us as we review the pieces of a story and examine why little things become bigger things and how the Fates and the lack of communication can make such a difference in our lives. Thanks for letting us share this story with you MJD (In the Photo: The cast and crew of the revivial. Clockwise from back right: Director Mark Dibble, Daryl Johnson, Playwright Chris Mackowski, Tammy Crawford, Crissy Winegard, Andee Cole, and Pottsy.) |
| Patty "Schedule Girl" Colosimo | Dr. Kevin Ewert | Heidi Mackowski | Pitt-Bradford |
| WESB | The Bradford Era | The Olean Times Herald | Angela Ramage |
| Duane Pletcher | SBU’s Jandoli School of Journalism and Mass Communication | Matt Krieg & Adam James | ...and Janna Viles, for teaching
the playwright how to bellydance |
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PO Box 255 Bradford, PA 16701